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Post by RocDoc on Mar 24, 2012 17:16:39 GMT -5
NP: Doobie Brothers
Universal Amphitheater
Los Angeles, CA
1979-07-04
01 Intro
02 Here To Love You->
03 Take Me In Your Arms->
04 Depending On You
05 Pat chatter/band intros
06 Clear As The Driven Snow
07 Open Your Eyes
08 Jesus Is Just Alright
09 Echoes of Love
10 Long Train Runnin'-> (cuts in)
11 Sweet Maxine->
12 It Keeps You Runnin'
13 Neal's Fandango
14 Don't Stop To Watch The Wheels
15 Intro
16 Minute By Minute->
17 Black Water
18 Slat Key Soquel Rag (cuts in)
19 Steamer Lane Breakdown
20 Takin' It To The Streets
21 Road Angel->
22 I Cheat The Hangman coda->
23 China Grove
24 What A Fool Believes
25 Ecstatic crowd, Pat chatter and intro
26 Listen To The Music
*17 with Novi Novag
*24 with Kenny Loggins
*26 with Sal Valentino and the Jacksons (?!)
flipping GREAT show!
NO COVERS
mp3/192kbps/132mb
this show is just a PARTY dubbed to tape - absolutely joyous fun! just a lil while ago, in a blooz mood:   the top one's 2007 (tho the marvin gaye beefcake's not characteristic of his kinda blues) and the lower one is his debut from 2003 which fills out the disc i played...the 2003 has more 'jump' to it imo. more of a wilson pickett vibe. ~~ and again, an earlier listen - an unreal recording: MARTIN BARRE
Quasimodo
March 5, 1998
Berlin, Germany
B++
audience
Disc 1
01. Intro/ Bug
02. Steal
03. The Potion
04. Running Free
05. Way Before Your Time
06. Outer Circle
07. Paparazzi
08. Keyboard solo Under Wraps
09. Empty Cafe
10. Dreamer
11. Another View
12. I Know Your Face
13. A Blues For All Reasons
14. The Whistler
15. The Meeting
Disc 2
01. Morris Minus
02. Time After Time
03. Misers
04. Spauner
05. Another Mean Day
06. To Cry You A Song
07. Purple Haze
;D ;D ;D ;D |
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Post by Ayinger on Mar 25, 2012 11:51:34 GMT -5
I've got Martin's solo disc......ought to drag it out sometime as I've only spun it on 2 or 3 occasions....
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Post by RocDoc on Mar 27, 2012 8:26:53 GMT -5
so did you?
the first one that came out(can't remember the name), i've had awhile and thought it was pleasant but this live show got me looking and there's 4-5 he's done.
....there's an interesting 2003 'stage left' where on each song he uses a different kind of 'axe' - mandolins, bouzoukis, telecasters, les pauls...good shit.
this live one however seems to pull together the best of the best (til that time, 1998) and his playing is VERY spirited and superb.
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skvorecky
Streetcorner Musician
Now I Am Become Death, Destroyer of Worlds.
Posts: 32
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Post by skvorecky on Mar 27, 2012 12:35:46 GMT -5
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Post by RocDoc on Mar 31, 2012 17:00:37 GMT -5
synths and me just don't seem to get along...or rarely. ...tho i know maarts is big on tangerine dream (w/nearly unassailable taste) and jac was always equally big on oldfield i dunno - anything remotely 'ambient' rarely finds a toehold for grabbing my ear. viz my inability to fawn over sigur ros, whom i know i 'should' like, given that i sincerely respect the taste of several who love 'em to death. ~ NP: Quicksilver Messenger Service
outdoor festival, denton, maryland
may 25 1972
unknown aud generation> cdr trade>eac> cool edit>flac
1. fresh air
2. dr. feelgood
3. play my guitar
4. baby baby
5. mona
6. doing time in the usa
7. mojo
dino valenti, vocals, guitar, percussion
gary duncan, guitar, vocals
greg elmore, drums
chuck steakes, keyboards
mark ryan, bass
src="http://tela.sugarmegs.org/_asxtela/asxcards/asxpicts/quicksilvermessengerservice1972-05-25a.jpg">
src="http://tela.sugarmegs.org/_asxtela/asxcards/asxpicts/quicksilvermessengerservice1972-05-25b.jpg">
no john cipollina AND it's a relatively crappy 40kbps wma from sugarmegs (where the selection is fucking crazy! look, go ahead i DARE ya: h**p://74.108.129.122/latestadditions.aspx ), but honestly it sounds great - a BIG b3 sound is happening and there's a wonderful full-on rock out vibe going betw these very talented musicians. it might just be the drugs but whatever - duncan's not john C but he IS great...and together they beat the shit out of ANY other SF band imo. earlier (10 mins ago): i'm still reading that 'listen to this!'-book and billy payne (from my fave little feat and who plays on this legendary disc, 'the master') mentioned it - i'd tried looking for this AGES ago, at that time to PAY for it - but here it came up on a search with filetram...super-short too, like 35 minutes so i wanted something of near the same era to fill the CD...master is from 1973 and el exigente is from 1970 - here's what some reviewer (at amoeba)thought: Chico Hamilton
El Exigente (The Demanding One)
Flying Dutchman FDS-135 1970
A Chico live date with no information inside except the personnel, this one shimmers and shreds with live-gig improvisation and way-ahead-for-the-time sounds. Searing electric sax by Arnie Lawrence (never better), electric guitar by Bob Mann, and Steve Swallow on the electric bass. Lots of fuzz, and the horn sounds like a synth most of the time…maybe a Maestro attachment. As is Chico’s wont, the jams combine his tribal-like grooves with voodoo jazz vibe, and the soloists get to smoke away as Swallow does his usual thing with very melodic bass riffage. This begins to feel more like a monumental moment in time, as Chico and the men process Bitches Brew, White Room, A Love Supreme and Vaughn Williams all at once, gentle lyricism giving way to fire-y freakout. The guys are really listening to each other as well and the gig feels improvised and written out at the same time. Applause at the ends indicates immense satisfaction in the crowd. Never seen this on CD, either.BE the judge - it's oop and rare and if you run a search, OUT it pops, a vinyl rip of the orig LP. |
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Post by RocDoc on Apr 3, 2012 10:39:11 GMT -5
NP:  interesting name that i'd heard from a guy working the desk at the library, who i'd often talk music with - he always had some way-off mainstream interests, and he'd mentioned france gall. then (again) in that 'listen to this!'-book i've finally finished going through, laetitia sadler (sp?) from the band stereolab, recommended 3 female vocalists - 2 of them french, france gall and brigitte fontaine (who's next up for a search) and one a brit named carmel... gall was a european pop star (and attached to serge gainsbourg awhile, phil would tell you) going back in 1966 and has gone through a LOT of changes. here in 1981, lots of weirdly cool rhythms with some funk and reggae thrown in very nicely, kinda reminding me of what boz scaggs was putting out in the same time period. big-sounding uber-smooVe david foster-like production sounding great with the funky touches in the rhythms....tho gall's often chirpy little-girl voice (though she belts a little bit) puts it in a different space. good stuff - i like. |
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skvorecky
Streetcorner Musician
Now I Am Become Death, Destroyer of Worlds.
Posts: 32
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Post by skvorecky on Apr 3, 2012 12:12:30 GMT -5
 Chromatics "Kill for Love"  Xiu Xiu / Dirty Beaches split 7 inch. Xiu Xiu does an awesome cover of "Always" the Erasure track while Dirty Beaches does an excellent cover of a Francois Hardy track.  |
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Post by RocDoc on Apr 4, 2012 10:41:13 GMT -5
shit, these chromatics are taking SO much from france gall's mid-80s style it's fucking spooky. you put this up, with just that in mind skv? boy did you pick an echo of exactly what i was listening to! without it being in french, obviously. chromatics' singer is in exactly france gall's vocal range too...tho after just 2 songs from youtube (title track + 'lady'), i'd say france gall has got more life and joy to her. lady right now sound pretty depressing, actually, this sort of unnerving deliberateness. 'into the black' ok, that seals it. my conclusion that is...like a more synth-based cowboy junkies or widowspeak, but she stays on key better here. it might help if she sang in french...  running up that hill is kinda ok....loved nearly everything kate bush did, but this rote deliberateness (and her pitch being ever-so-slightly off), foo. i don't do enough drugs (anymore) to be affected by chromatics, uh-uh. this overlap with france gall IS an amazing coincidence though. ...there ARE no coincidences in life...~ NP (well, until i started youtubing w/chromatics):  AMG Review by Thom Jurek
Of all the strange records this French vanguard pop chanteuse ever recorded, this 1971 collaboration between the teams of Brigitte Fontaine and her songwriting partner Areski and the Art Ensemble of Chicago -- who were beginning to think about returning to the United States after a two-year stay -- is the strangest and easily most satisfying. While Fontaine's records could be beguiling with their innovation, they occasionally faltered by erring on the side of gimmickry and cuteness. Here, the Art Ensemble provide the perfect mysterious and ethereal backdrop for her vocal explorations. Featuring the entire Art Ensemble of that time period and including fellow Chicago AACM member Leo Smith on second trumpet, Fontaine and Areski stretched the very notion of what pop had been and could be. With strangely charted arrangements and mixing (percussion was in the foreground and horns were muted in the background, squeezed until they sounded like snake-charming flutes), the ten tracks here defy any and all conventions and result in the most provocative popular recording of 1971 -- and that's saying something. For their part, the Art Ensemble hadn't played music this straight since before leaving Chicago, with long, drooping ballad lines contrasted with sharp Eastern figures and North African rhythmic figures built in. The finest example of how well this works, and how seductively weird it all is, is on the two-part "Tanka." Here, Malachi Favors' bass and Areski's percussion meet everything from bouzoukis to clarinets to muted trumpets to sopranino saxophones, courtesy of Joseph Jarman, Roscoe Mitchell, Smith, and Lester Bowie, who play in tandem, using striated harmonies and modal intervals in order to stretch the notion of time and space under Fontaine's vocals. The effect is eerie, chilling, and hauntingly beguiling, and sets the tone for an entire album that runs all over the stylistic map while not adhering to anything but its own strange muse. This is remarkable stuff from a very adventurous time when virtually anything was possible. this is some weird shit - a couple of songs are declamations over some weird groove, but i have to listen to this to pick out this minutia that jurek's review is referring to. ...and francoise hardy is next up! |
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skvorecky
Streetcorner Musician
Now I Am Become Death, Destroyer of Worlds.
Posts: 32
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Post by skvorecky on Apr 4, 2012 13:45:50 GMT -5
Yeah, I'd been jamming those and saw you put some french stuff up. I thought it fit.
Brigitte Fontaine is one of my all time favs.
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Post by Ayinger on Apr 4, 2012 20:53:24 GMT -5
 5 discs...the complete first six lps with Schenker, bonus cuts, unreleased live concerts....it's just what the doctor (doctor) ordered. AND to be had for under $20.....s.t.e.a.l,,,,,,,,,,, |
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Post by RocDoc on Apr 5, 2012 10:07:27 GMT -5
UFO! yeEeEaAaAaAAAH! WOO-woo-wooooooooooooo!!!! (*oops sorry - flashback to the aragon, whew!*)  loved that band way back when - i cannot believe it's going on 35 years back to them crazed crazy daze. *sniff* went on a UFO tear just a coupla weeks ago, grabbing a buncha live stuff of different eras...THIS one's very very cool: UFO,
The Marquee Club,
90 Wardour Street,
London W1, England
Some time in 1974.
Contains no officially released material. See info file for details.
notes from the uploader !
Here is a very nice little recording of an incendiary performance by the first 5 piece incarnation of the band following the release of their Phenomenon LP in May 1974. My thanks to Keith Anderson of Croydon England for the tape! Praise be to youTube where I got in touch with him.
Lineage: Master cassette>DAT>Soundforge>CDR>EAC secure mode>Flac level 6>MP3
The set list is:
01. Oh My
02. Doctor Doctor
03. Built For Comfort (Dixon)
04. Give Her The Gun
05. Space Child
06. Cold Turkey (Lennon)
07. Rock Bottom
08. Going Down (Nixon?)
09. Prince Kajuku
10. Boogie For George
Line up is:
Michael Schenker: Lead and rhythm guitar
Paul Chapman: Lead and rhythm guitar
Phil Mogg : Vocals
Pete Way: Bass
Andy Parker: Drums
h**p://rapidshare.com/
enjoy it an absolutely fucking great performance, when they were still playing a bit looser, which is not to say sloppy, but there were moments where they're bloozrawkin' away and i thought they were a doppelganger for humble pie's fillmore days...and i LOVES that shit! that collection's going fer 35 on amazon right now - and it's got 9 cuts from an atlanta show from the same year as this marquee show. too bad they didn't include the rest, but this package is as thorough an entry to that period of UFO as you're gonna get. ~ skvor, thanks! you rocked me there! you are THE international man of mystery.... |
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Post by Ayinger on Apr 5, 2012 16:53:15 GMT -5
hmmm,,,,there's an unreleased concert on this boxset too, also from 1974, the same list of songs with only a couple exceptions, recorded in Atlanta.
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Post by RocDoc on Apr 5, 2012 19:29:51 GMT -5
that's the one i'm talking about.
the marquee show's almost a full 80 minutes, but someone wrote a comment at amazon that the atlanta show's (the one on that chrysalis box) excerpt was just 48-49 minutes.
take away a couple of bluesy jams and there's the difference...
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Post by RocDoc on Apr 6, 2012 11:55:13 GMT -5
whoa!
i've been DLing a bunch of kings x the past coupla days but now i've run into this:
STEVEN WILSON
2011-10-28
Markthalle
Hamburg
Church Audio CA 14 Cardioids > Sony RH1 (PCM-mode) > Hi-MD > Sonic Stage > wav > Audacity (level adjustments, trackmarking) > TLH > flac level 8
01. No Twilight Within The Courts Of The Sun
02. Index
03. Deform To Form A Star
04. Sectarian
05. Postcard
06. Remainder The Black Dog
07. Harmony Karine
08. Abandoner
09. Like Dust I Have Cleared From My Eye
10. No Part Of Me
11. Veneno Para Las Hadas
12. Raider II
- encore -
13. Get All You Deserve
Steven Wilson - vocals, guitars, organ
Adam Holzman - keyboards
Theo Travis - saxophone, flute, organ
Marco Minnemann - drums
Nick Beggs - bass, chapman stick
Aziz Ibrahim - guitars
TRT: 112:41 min
recorded 12 m from stage, slightly left of center
This is not my usual kind of music, but I was interested and in need of something loud - loud it was, close to the point of hurt, and interesting as well, memorable for the whole concept of the show which went way beyond the music, starting half hour before the actual show with a collage of quadrophonic drone and drumbeats to bw photos or videos which were rather slightly moving stills projected on the screen before the stage.
The curtain stayed up for maybe half an hour into the show and I kind of liked that, somehow seemed fitting to the sometimes a little overly symbolic concept of the show. I didn't understand every birdheaded or masked figure stumbling around in the videos, neither the gasmask Wilson put on during the encore (it's a smoke free venue...), but it was evident, that someone had spent a great many thoughts on the design of the show with impressing results.
The musicians were great, all of them highly gifted, especially the drummer who was among the most precise I have ever seen and played with an admirable variability of style.
It's certainly questionable if there is need for another recording, as the thoroghly planned and executed shows are probably similar to the point that when you've seen one you have seen them all - and LDB has uploaded a truly excelent recording of the Munich show - but this one doesn't sound bad neither, a little less brightness in the hights, but it does have punch.
No preamp, no equalizing, had to adjust the recording levels down during the show, tried to revert that afterwards, a little leveller on some close clapping applied manually.
There is a little audience chatter, between songs and in a few quiet parts, mostly a guy in my back who tried to explain to his what what he was supposed to hear, but as it was in my back and I was standing on some stairs above the crowd before me there isn't much.
The only major problem was caused by the lenght of the show and especially the lenght of the closing song, Raider II , a monster of a jazz piece of 24 minutes - half way through the MD was full, so I missed about 1 minute, had to patch that, but it's notizable 13:24 min into the song.
The venue has a great and long tradition but is not among my favorites anymore, don't like to be bodysearched before a show, but nowadays they are showing mostly hardrock, capacity of about 1000 people, not sold out but close.
Torrent contains artwork, no photos of the show (not allowed, i respect that), just the curtain before the show.
h**p://www.mediafire.com/?l0zhrlk7dlkmu
**************************************
Steven Wilson has just started the 2nd round of shows supporting "Grace for Drowning". I hope we see more recordings shared in this great place.
Enjoy this wonderful show :-)
i know for a fact maarts would be 1st in line for this (if he doesn't have it yet already)...some of SW's stuff is hit or miss, but since this is on mediafire, the very user-friendly mediafire, i'm-a gonna try...
NP:
King’s X -
Thundering - Live From Dallas TX
1994-05-08
came to these guys after hearing the guitarist's (ty tabor) project with dream theater's rhythm section, the jelly jam....which has blown me fucking aWAY...
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Post by maarts on Apr 10, 2012 5:21:04 GMT -5
Those gigs sound amazing! I got an official live-document from that tour...  |
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