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Post by RocDoc on May 12, 2012 20:35:51 GMT -5
i chanced upon a copy of lofgren's latest one (posted it up the previous page) and LOVED it....so i did a search ar G101 and turned up: Nils Lofgren
The Queens Hall
Edinburgh
23 Oct 2010
Not the best quality aud recording but listenable
01. Intro
02. Nils on harp
03. Too Many Miles Down This Road
04. Everybody Wants
05. Only Five Minutes
06. Little on up
07. Here for you
08. Don't Cry No Tears
09. Blue Skies
10. You
11. Miss You Ray
12. Girl In Motion
13. Rusty Gun
14. Wonderland
15. Black Books
16. Like rain
17. Keith Don't Go
18. Believe
19. Goin' Back
20. All out
21. The Sun Hasn't Set (On this Boy yet)
22. Mud In Your Eye
23. No Mercy
24. Because the Night
25. I Came To Dance
26. Shine Silently
thanks to Syrinx @ Dime
Code:
h**p://rapidshare.com/files/427252399/Queens_Hall.rarthe guy lies up there - quality is honestly VG, an A- or a B+ and lofgren's performance is truly sincerely breathtaking. ~~~ NP:  this is their 1989 and these guys remind me of a scrubbed clean mayhem, no cookie monster vocals and WAY more melodic...aand fast as fuck, whipping through change after change. with fantastic production for this kind of music - great guitar tones. rhythmically they're maniacs making me wonder how in the fuck can you chart this stuff out. at the same time i ran into a mixtape that some blog did and i hear the later stuff approaches something way slicker in the vein of opeth (or porc tree in their dirtier moments)...i dig the shit outta these guys. kinda dumb name imo but wtf, they're swiss. |
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Post by RocDoc on May 15, 2012 11:20:38 GMT -5
holy fuck this is great!
from sugarmegs again
NP:
1st attempt at seeding - God help me.
This is from "Charcoals" Kendall, Fl. April 29, 1992.
Source is WM-D3 Cassette Rec>Cool Edit wav>Adobe Audition1.5 for tracking out>Flac frontend>Flac (from the original audio tape).
Nicky Hopkins and Mick Taylor
(and feat Bobby Keys)
"Charcoals"
Kendall, Fl.
April 29, 1992
Set list:
01. Hideaway 6:50
02. Mercy Mercy 8:05
03. You got to move 7:11
04. Edward The Mad Shirt Grinder 6:09
A Nicky Hopkins Track from his album "The Tin Man Was a Dreamer" - I don't feel like playing the 8-track to find the exact title, but it's from that album... Both Bobby Keys and Nico's site are incorrect about the title - I am not.
05. Soul Serenade 12:46 -
Again, This title IS correct.
06. Can't You Hear Me Knocking 11:01
07. I Wonder Why 13:56
Overall, an excellent audience recording of a great show... Yeah, there are minor problems - The recording level rises during track 1, and there is definitely crowd noise. HOWEVER...the record level is extremely high with NO clipping - perfect! And the music drowns out the crowd except when it gets soft. I truly believe both situations to be negligible in light of the show itself. Speaking of which:
Of the 3 Florida shows from this line-up - all good - this show was head and shoulders above the rest IMO, based on being at all of them and recording all of them. Besides things like bass solos, which I can live without, the tracks are excellent throughout - all strong versions!
"Soul Serenade" from this show is one of my all-time favorite cuts from Mick's solo career, yet this is Bobby's moment of the show! Sure, MT is indeed GREAT during this, and creates one of MY favorite blues solos, BUT Bobby is absolutely SOARING here. I can't overstate this. In it's entirety, this is the BEST bobby Keys I've ever heard bar none. Believe me, I went to hear the guitar player, not the sax!
I chose this as my first seed because of the names involved, the sound quality, show strength, and the belief that there is no other recording source for this show. I pray that I'm right.
I further pray that my first seeding attempt actually works for goodness sakes. If not, then what's a little embarrassment in front of THOUSANDS of peers?
If this attempt flubs, then I'll keep trying until it works - I gotta get my share ratio out of the basement.
I'd like to hear comments from anybody that gets this.
Peace - pgl
there's at least 2 reed players on this incl bobby keys...and the playing is unreal, veryVERY bluesy with mick taylor just wailing with slide AND picking like it's 1974 again, tho again i'm trying (on my first listen) to pick out how many players there actually ARE on this - um, i WISH someone else would also DL this to see what THEY hear.
the recording is fantastic and this IS one of those cases where it doesn't suffer in the least from being just a 40kbps wma.
~
@brother glenn:
Guided by Voices
03 May 1996
Moe's Cafe, Seattle WA
Lineage:
Sony WM-D3-->2nd generation cassette copy-->CDR (unknown equipment)-->ripped to wav in iTunes-->FLAC conversion (level 6) in TLH-->you
Set list:
1. (Intro)
2. Over The Neptune
3. Mesh Gear Fox
4. Rhine Jive Click
5. Shocker In Gloomtown
6. Striped White Jets
7. (Matt Sweeney intro)
8. Cut-Out Witch
9. Game Of Pricks
10. Tractor Rape Chain
11. (Tad intro)
12. King And Caroline
13. Motor Away
14. Sheetkickers
15. Burning Flag Birthday Suit
16. Your Name Is Wild
17. My Valuable Hunting Knife
18. Smothered In Hugs
19. Bright Paper Werewolves
20. Lords of Overstock
21. Man Called Aerodynamics
22. I Am A Scientist
23. Underwater Explosions
24. Hot Freaks
25. Exit Flagger
26. Yours to Keep
27. Echos Myron
28. (Dayton Ohio)
29. "Wished I Was A Giant"
30. Office Of Hearts
31. My Son Cool
32. Big Boring Wedding
33. A Salty Salute
34. (Encore break)
35. Gold Star For Robot Boy
36. The Official Ironmen Rally Song
37. The Goldheart Mountaintop Queen Directory
Lineup:
Robert Pollard - vocals
Tobin Sprout - guitar
Mitch Mitchell - guitar
Matt Sweeney - bass
Kevin Fennell - drums
Notes:
An outstanding show from GBV's "classic lineup"'s final tour before their 2010 reunion.
Both the sound quality and the performance are great. Apparently, before this show, drummer
Kevin Fennell overdosed and had to be tossed in a cold shower in order to sober up enough to play.
Pollard alludes to the incident a couple of times during the show, but you wouldn't guess otherwise.
I received the cassette in a trade in 1996, and a friend digitized it for me later.
mp3 sample is in comments.
please don't convert to lossy formats except for personal use.
...you want it, also on sugarmegs' latest additions of the past few days...the link is up there^^^.
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Post by RocDoc on May 16, 2012 13:08:42 GMT -5
NP:  slow-moving yet captivatingly atmospheric - kinda what i'd hoped the very critically praised necks would be like. earlier: Alabama Shakes
Paradise Rock Club - Boston MA
April 15, 2012
Goin' To The Party
Hold On
Hang Loose
I Found You
Always Alright
Boys & Girls
Be Mine
Worry'n Blues
Rise To The Sun
Mama
Making Me Itch
Hurricane Strut
You Ain't Alone
Heavy Chevy
--encore break--
I Ain't The Same
On Your Way
Heat Lightning
How Many More Times (Led Zeppelin cover)
Full set download: mp3 zip
Words // Scott Pingeton
You'll be hard-pressed to find a review of Alabama Shakes that doesn't refer to them as a buzz band. And I suppose at this point, that's hard to dispute - they're fucking everywhere. But, I perceive "buzz band" as a derogatory term implying unfounded hype, a popularity bubble due to burst at any moment. That is not Alabama Shakes. As meteoric as their rise has been, I honestly believe it's built on merit. I saw this coming the first time I heard their self-titled EP (my favorite of last year). Bob Lefsetz can spout as much bullshit as he wants about them not paying their dues and needing a producer. He may even be right, but when it comes down to it, their songs move people and they deliver them with passion, grit and intensity that 99% of bands just do not possess. I see no problem with that.
The first time I was aware that Alabama Shakes were playing Boston was October of last year, opening for North Mississippi All-Stars. The same night as The Low Anthem's big Somerville Theater show. I chose The Low Anthem, a regrettable choice for many reasons. Since that time I've anxiously awaited the Shakes' return to Boston - hearing breathless, gushing reports of their live show - hoping they would still be playing clubs by the time they finally made it to Boston. Sunday night I got to experience the spectacle first-hand, and it didn't disappoint.
The band took the stage to a thunderous ovation - opening the set with the slow and restrained "Goin' To The Party" which kept a lid on the energy in the room. Pressure gradually built until the band launched into "Hold On", kicking off a four-pack of songs that nearly blew the damn roof off of the Paradise. "Hang Loose" dumped the clutch and jammed it into 5th and "I Found You smoldered with intensity until exploding into its pounding, Muscle Shoals-channeling finish. "Always Alright" started slow and, again, built up to a thunderous finish, which caused the sold out crowd to absolutely lose their shit. An extended, absolutely deafening roar erupted causing Brittany Howard to wonder out loud "What the fuck just happened?". You just turned 900+ people into true believers, Brittany, that's what.
From there, the band shows that they know how to pace a show. Slowing things down and showing their bluesy side with "Boys & Girls", "Be Mine" and "Worry'n Blues" before slowly building back up to a raucous finish. What impressed me throughout the night was how the band competently held down their parts, but never once tried to upstage their frontwoman - clearly the star of the show. Brittany Howard lays it on the line. She sings every word like it's the last time she'll ever sing, wringing every bit of emotion out of her voice and her guitar strings. And that voice is otherworldly; at one moment taking on a raspy growl that recalls Otis Redding and at the next moment it's as soft and sweet as Carla Thomas. She doesn't go through the motions, she performs like her life depends on it -- and the crowd certainly acknowledged the effort. It was probably the loudest crowd I've ever seen at a club show. Brittany agreed -- calling us "the loudest crowd [she] ever met".
As the night wore on, quintessential lighter-in-air song "You Ain't Alone" segued into the rockabilly barnburner b-side "Heavy Chevy" to close the main set. Unlike most shows where the encore break marks an exodus of casual fans, no one left. Everyone clapped and stomped and screamed for what felt like an eternity. They made us work for more, and we were happy to oblige. If there was no encore, I would have left happy. A four-song encore "I Ain't The Same", "On Your Way", "Heat Lightning" and brilliant cover of Led Zeppelin's "How Many More Times" was just gravy.
To see Alabama Shakes live is to believe in the buzz. They will convert you. They will knock you on your ass. If you see this band and don't believe in the power of rock n' roll, check your pulse. This was one of the greatest shows I've ever seen.
Complete live recording from the show is below. I taped from the balcony, stage-right -- the sound is warm, live and really captures the electricity in the room that night. It is (in my opinion) an incredibly enjoyable listen. Enjoy, and if you do, please support Alabama Shakes by buying their album and seeing them live.a little breathless, this review - they're good, there's serious talent, performance AND imo moreso composition-wise because their songs have all these cool small touches - and my god, how 'how many more times' effing rocks, whoa! brittany howard tries VERY hard to be janis, but imo she cannot do her as well as the limitless cathy richardson (now with the airplane but starred in the broadway janis bio) because she's got upper and lower limits to her voice. i also wish her sound mixer would bring her a bit more upfront because she tries to go loud-to-soft a lot. i think this super-enthused boston crowd appreciated her effort and they willed SO hard that she be a janis-figure, they began to believe it. |
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Post by RocDoc on May 23, 2012 8:26:32 GMT -5
as long as i'm here and there's music playin'...
NP:
Mick Taylor
Iridium Jazz Club
New York City, NY
Sat 12 May 2012 [8 pm show]
Binaural BT 172-BI > Sony PCM-M10 mic-in 16 bit 44.1 kHz > WAV > CEP 2.1, fade in/outs. Normalization to -1db > Wave Repair 4.9.3 indexing > Flac level 8, verify.
01. Host intro and tuning
02. Secret Affair
03. Twisted Sister
04. Put Your Loving Arms Around Me
05. Fed Up With The Blues
06. Alabama
07. Sad & Wild Eyes
08. band intros and encore cheer
09. No Expectations (incomplete take)
10. No Expectations > host outro
from less than 2 weeks ago on sugarmegs 'latest additions' page. perfectly listenable...thankfully taylor's past problems hitting the skids VERY seriously, seem to have had little effect even 20 years after that asTOUNding 1992 nicky hopkins date i posted above...if ya ain't curious then ya ain't a music fan - and you won't find this anywhere else, this being more a historical document, not some hi-fi HD record someone needs to guard from someone who appreciates mick taylor.
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Post by Ayinger on May 23, 2012 16:31:36 GMT -5
I've got a few live cuts of Taylor playing with Snowy White....have nada info on the show, etx.
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Post by RocDoc on May 25, 2012 10:56:54 GMT -5
i think you may have sent me some bits of that. DO try this iridium show and for sure the 1992 nicky hopkins show to hear classic taylor blowing! i STILL can't figure out how many were playing in hopkin's band that night... NP: Randy Hansen
Jazzhaus
Freiburg, Germany
October 20th 2007
Audience Recording (House Mics)
Taped by: Fillo K Productions
Transfer: fubb
Lineage: Unknown House Mics Via soundboard>Sony MD MZR909(SP mode)>Edirol R-4(Oade Concert Mod:44.1)>HD>Adobe Audition
Volume normalisation, some slight EQ in mastering process, cues split via Goldawave.
Excellent...Excellent sounding show, performance from Randy on his German Fall tour...enjoy, and do not sell for $$$$
Visit his websites for info/tours, merchandise.
www.randyhansen.com
profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=199239323
Randy Hansen...Guitar, Vocals
UFO Walter...Bass, backing Vocals
Manni V. Bohr....Drums
Disc One:
1. Intro
2. Stone Free
3. You Got Me Floatin'
4. Machine Gun
5. Spanish Castle Magic
6. Little Wing
7. Your Eyes/All Along the Watchtower
Disc Two:
1. Freedom
2. Foxey lady
3. Beginnings
4. Red House
5. Voodoo Child (Slight Return)
6. Isabellaa riDIculous ability to play the hendrix style while maintaining his OWN fluorishes. he's even got jimi's wes montgomeryisms down pat too and as natural as can be! ....he does little wing here SO well that i wish he'd take another 5-6 minutes with it the way SRV did (the quite lengthy studio take he did, which never appeared on any SRV album while he was still alive), because he honestly ma-aybe could even top that one, the one i've loved forever. this guy is a master. |
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Post by RocDoc on May 25, 2012 18:39:23 GMT -5
just found this - one i didn't have...
NP:
Frank Marino
Hammersmith Odeon
London, England
April 29th,1983
1 - Down, Down, Down
2 - Midnight Highway
3 - Maybe It's Time
4 - Strange Dreams
5 - Free
6 - Poppy
7 - Strange Universe
8 - Something's Comin Our Way
9 - All Along The Watchtower
Source:Soundboard
quality:Excellent
Generation:unknown
Lineage:Analog Cassette>DAT>CD-R>EAC WAV>TLH FLAC8>TTD
Transfered from cassette and uploaded by:winterlandblizzard
'downdowndown' - holy shit! - it's the manic depression riff...
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Post by RocDoc on May 31, 2012 16:38:42 GMT -5
Coryell / Mouzon / Brunel power trio
Vielharmonie, Munich April 15th 1984
Larry Coryell - guit
Bunny Brunel - bass
Alphonse Mouzon - drums
Tracklist:
1. Larry Coryell solo warmup
2. Stiffneck ( duo Coryell/Brunel)
3. unknown
4. Low-Lee-Tah (Coryell)
5. Back together again (Mouzon)
6. Poobly (Mouzon)
but wait!
this ain't no trio - there's a B3 player on here AND a trumpet>
on further research, likely mike mandel, keys, and randy brecker, trumpet - whom coryell was playing out with at that time...
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Post by Ayinger on Jun 3, 2012 21:20:17 GMT -5
Had this recently discovered (to me) moldie oldie blasting in the car today while hitting I-65. Some moments are a bit dated and go on for twice as long as they possibly should, but ooooo000 0OOOO does that guitarist just get MANIC with this blooozy bites! Ha, but then I knew that HE would and boy does he deliever!  Peter Bardens The Answer (1970) |
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Post by RocDoc on Jun 7, 2012 15:24:36 GMT -5
i googled bardens since the name's familiar, and saw he played with camel - one of those canterbury prog bands. besides having seen 'em once, i DLd a san francisco show of theirs from 1976 a few months back (because i thought it was the same year i saw them billed between the eric burdon band and wishbone ash at the aragon, a prime vividly psychedelic memory of mine) to refresh myself on what they sounded like - i dunno, didn't quite grab me, but there was some great playing there. of course someone like this goes through different phases (i LOVE the album cover btw) so there's likely more to look into. NP: Peter Himmelman
McCabe's Guitar Shop
Santa Monica, CA
February 9, 2003
Sharp 702 MD_A-T omni binaural mics> M-Audio 2496>CEPro2
taped and treed by: thenewguy (seeded with his permission)
2 CDs
1. What we got sure feels the same
2. Checkmate
3. DiNali (improv)
4. Impermanent Things
5. Exit
6. Closer
7. Eleanor (improv)
8. Mission of my Soul
9. Scent of Autumn Burning
10. Eleventh Confession
11. Been Set Free
12. Grandma Rose
13. Beneath Your Watching Eyes
14. Unstoppable Forces
15. Listen Up
16. One Shot At Love
17. Woman with the strength of
10,000 Men
Encore
18. Always In Disguise
19. The Show's Over (improv)
20. Turtle Gus, Evil Ways
Peter Himmelman vocals, guitar, harmonica
Greg Herzenach guitar
Al Wolovitch bass
Andy Kamman drums
Kristin Mooney vocals
TO LEARN MORE ABOUT PETER HIMMELMAN AND HIS MUSIC, VISIT
www.peterhimmelman.com (official site)
www.himmelfans.org (fan site) have always loved this guy - well, since the moment XRT broadcast a solo acoustic show of his where he totally rawked and joked ridiculously charmingly about, well, everything. |
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Post by Ayinger on Jun 7, 2012 18:40:57 GMT -5
i googled bardens since the name's familiar, and saw he played with camel - one of those canterbury prog bands. besides having seen 'em once, i DLd a san francisco show of theirs from 1976 a few months back (because i thought it was the same year i saw them billed between the eric burdon band and wishbone ash at the aragon, a prime vividly psychedelic memory of mine) to refresh myself on what they sounded like - i dunno, didn't quite grab me, but there was some great playing there. of course someone like this goes through different phases (i LOVE the album cover btw) so there's likely more to look into. I suggest you look here first Doc......once you get past the minute or two of keyboard noodling that opens the song, there's a bit of a suprise that comes WAILING in,,,,,,,this ain't Camel, but it IS H- I- M !!! (I followed Himmelman through his first 1/2 dozen solo albums and was always hooked by him.....don't know why he fell off my radar the last couple of decades!) |
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Post by Thorngrub on Jun 8, 2012 16:00:59 GMT -5
 Ok, let's get something straight right off the bat, m'k? This shit right here is the Music of the Spheres. This band is a Force of Nature in Rock Music. They're like Led Zeppelin divided by SANTANA on a mushroom trip, only not even from this same planet. Comprende, senores y senoras? The Mars Volta are not interested in what anyone who doesn't "get it" think, and that is to their credit. Sure, they may have released some sub-par material on an album or two. I haven't even been able to keep up with all their albums, they're quite prolific. Omar Rodriguez has got a bunch of solo -material which I need to catch up with, as well. I missed their entire album OCTAHEDRON. Haven't even listened to it. Now here comes NOCTOURNIQUET, and I decided I needed to get my Mars Volta back on. What a beautiful piece of vinyl this is. It comes with 3D-viewing glasses, and the 2 LP jackets have the lyrics printed on them, in 3D. Which is fucking retarded, on account of it being virtually impossible to read the lyrics with the glasses on. I discarded the glasses (they make a great bookmark!) and read Cedric's FUCKING INSANE lyrics while listening to this massive album on my turntable. HOLY MARIA RODRIQUEZ DE LOS VAQUEROS, hombre! The album grabs the listener and does not let go until the end--a remarkable achievement of sustained intensity (once again) unlike anything any band ever recorded in the history of music. THIS (as mentioned before) has zero interest in hopping on a trend, or going "where the money is", hell, from the apocalyptic, emblazoned soundscapes etched out in 4 Dimensions on this album, these cats don't give a fuck what any of us think. They are too busy sculpting the most intricate, vastly complex sounding networks of interlaced sounds as could possibly be conceived by humans. I'm going to come out and say it: Any casual listener of the first two or three tracks, could easily (and quite mistakenly) just "not like it" at all. Something about the too-high-pitched strident vocals from their lead singer can come off as annoying, or not right, on a cursory inspection. The music seems (at first) "too busy", or something along those lines. Hang in there. Any serious purveyor of psychedelic rock music who gave up finishing the entire album on account of "not liking" what he/she heard on first listen, shouldn't be listening to music as progressive as this, period. On the good news: During my 1st listen, I actually began really getting into it, about the 4th track in or so. Damn good thing I did, cuz by the time I flipped the record over to side B....then side C....then drawing in toward the epic closing tracks on side D, I was fully immersed in a mind-shredding musical trip unlike any I have taken before (and that includes their previous albums, I must say).
In conclusion: I've only heard NOCTOURNIQUET once. Yes, it was during the Venus Transit. (Quite appropriate, for this music.) The lyrics, the music, Cedric's strident, panicked vocals, the drumming, everything--fucking Top Notch rock'n'roll from another planet or dimension, straight up.
I hear a lot of smack -talk about this band. Well guess what. I could give a fuck. . . . the Mars Volta remain today as vibrant and rollicking a band as they did when Deloused in the Comatorium was released. Don't think so? Hahahaha. .. . .whatever. I think too many people's ability to . . . hang in there . . . fades with age, or something? I understand they haven't released any albums as phenomenal as the first two, but then again, all their subsequent albums explore such diverse sonic terrains, that I for one can quite easily dismiss or forgive such radical sojourns, in favor of cultivating a patient expectation that they will, once again, release a worthy album. NOCTOURNIQUET is certainly a worthy album in the strange canon of progressive rock. The last few tracks are literally knocked out of the park. Zed and Two Naughts is fucking magnificent. The whole album is a god damn brain melting trip, m'k?
If you ever gave a damn about this band's music, give em another chance, won't ya? If you're a dedicated enough listener, and spin this bad puppy several times, I'm confident that even the tracks that "didn't quite do it on first listen" (for me, the first few tracks) will eventually emerge into the light of consciousness as rewarding listening experiences.
The Mars Volta ain't goin' anywhere . . . but further beyond the limits of outer space, and on into regions hitherto unexplored by any musicians ever before. Long may they continue their hyperspace journey past the farthest stars. I know I'll continue to follow them.
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Post by RocDoc on Jun 8, 2012 19:58:11 GMT -5
i DO like the mars volta, but listening to them is pretty intense.
to the point that to me they're another one like zappa; i'm diggin' it but can only take it in small doses.
omar's playing is unreal tho sometimes a touch over-frantic and bixler's voice can get on my nerves - but the 'santana divided by zep' description sounds dead on, though i'd add 'fed through a jet turbine' for their intensity. matter of fact, it's bixler's voice that creates some of that turbine whine for me - it's wheezy sorta asthmatic qualities.
i've got an early aughts bootleg of TMV from some university in calif (UCLA perhaps) that's incredible though, shining and polishing their revved santana qualities nicely>
i'll be looking for this one...thanks for the nice write-up.
~
oh yeah don, i like that bardens bit - a nice touch of peter green-esque tone and vibrato, i thought...tho the purely of-its-time noodling (which you warned of) reminds of camel and the reason why i'm not wild about sitting through too much 'meh' stuff to wait and hear some tasty soloing.
~
matt, YOU have moved over to the punch brothers?!
i LOVE that band!
i need to give THAT album some more listens, but i've accumulated a TON of live performances (coupla bonnaroos, etcetcetc) that are what i usually go to to hear thile and company jam out.
ridiculous talent there - anything else LIKE that you're enjoying?
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Post by Ayinger on Jun 8, 2012 21:39:13 GMT -5
~ oh yeah don, i like that bardens bit - a nice touch of peter green-esque tone and vibrato, i thought...tho the purely of-its-time noodling (which you warned of) reminds of camel and the reason why i'm not wild about sitting through too much 'meh' stuff to wait and hear some tasty soloing. WELLLLLLL, did you cheat and look it up or is that just y'er ears talking? That IS Green playing!!!! And the reason I even got the thing as he appears under a pseudonym for the entire album and just rips the place apart. His playing way outshadows Bardens' keyboards on almost every tune and get downright "Green Manalishi-ish" on one cut that is one of the most electrifying moments I have heard of his! |
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Post by Ayinger on Jun 8, 2012 21:39:45 GMT -5
i needs some Volta charging too,,,,,,
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