Post by maarts on Dec 30, 2004 7:53:19 GMT -5
Review
George Telek/David Bridie
* The Vanguard, Sydney, December 10, 2004
* The Salarium Couch Bar, Newcastle, Australia, December 11, 2004
Having never had the opportunity to see George Telek live (he was scheduled to appear on the Morning Star concert, but sadly wasn't there) I was more than happy to grab the opportunity and see the great man live. The Telek and Serious Tam-records have been regular stalwarts in my player over the year as I truly love the marriage of the Not Drowning Waving (Bridie's former band- mvv)-like electronic-ambient atmospherics, the crystal clear acoustic stringband-strumming of the guitars and, on top, the flexible tenor of Telek, like a slightly hoarse Youssou N'Dour without the vocal histrionics...great albums that deserve a place in any home, even if you don't care for world music.
With David Bridie in the support-act slot it couldn't go wrong...the second night of the three-part NSW-visit happened on the 10th of December at the Vanguard, a restaurant/music club where the patrons can nosh up their expensive fish and watch good acts from the blues/folk/pop/classical scene. Call me oldfashioned but I find this type of arrangement a bit insulting for the musician as he is being made subservient to the food, like a pianist playing jazz standards in a fancy restaurant. That the patrons were fans made it at least bearable.
David Bridie looked very tired when he strolled onstage and got the gig underway with a beautiful solo-version of Blue Black Sky...just him and the electric piano and you don't miss the strings at all. Joined by the indomitable Phil Wales on Atari, melodica and guitar, Amanda Brown on vocals and violin and Greg Patten on skins he set out on a list of fan favourites with the inclusion of Not Drowning Waving-track Blackwater and the playing of clips on a white sheet behind the band- sadly the stage was the size of a stamp so not everything was visible. The good 100+ crowd was entertained though and this particular evening I was more than happy to see the closer being Walk Me Home, a NDW-classic that has been one of my all time favourite songs of the band. Highlights include the stripped-down version of The Tender Trap, On A Day Like This and Canopy which included the added percussion of Telek-bandmember Benny Hakalitz. There's always something special about a DB-gig, even if the man himself isn't 100%- Phil's entertainment in itself and the beautiful 'Helen Mountfordian'-vocals of Amanda Brown are always a welcome addition. Not his best gig but certainly very enjoyable.
Telek's gig followed after a short break and the first a-cappellatrack titled Tolili had the whole crowd immediately silent. Telek's eyes intently went through the room, his forehead blocked with a cap on which several long feathers stuck. For the remainder of the gig George was joined by David, Phil and Greg and Benny Hakalitz on guitar and percussion and bass player Glen Low, all dressed in colourful Papuan-design shirts.
The appeal of Telek's music is clear- with the obvious joyous vocals on top of a musical backing that has many references to the Tabaran-album, it has appeal to a large audience. A song like To Pol with it's stringbandroots firmly in Rabaul could easily have been the missing link in the world music patchwork of Paul Simon's Graceland. Bridie's keyboard-arrangements bring out the most hypnotic elements out of the songs with Telek's masterful voice the ace in the hole. It really is a wonderful romp, from the NDW-pop of Go Ralom or Midal (which sees Phil Wales exorcise his guitardemons and rock out!) or the Toure/Cooder-bluesylike Amette, traditional stringbandmusic in Abebe (where several acoustic guitars shiny jangle their upbeat themes together) or the banana-pluckers chant Waitpela Gras with a wealth of percussion and audience participation. The tribute to West Papua in its namesake song raises the roof. It is a pity that the set has to be broken off earlier as planned because of time restrictions so there's no time to work to a highlight...a real shame.
Fortunately all works well on the final gig of the tour which is the following night in Newcastle. The only bad part is that David's really crook (stomach bug), still he manages to complete his set, closing off with The Last Great Magician. Tough to see the tour end for him like this- hope he now can enjoy a well deserved break.
It's a tribute to the guy that he comes onstage with Telek's band and manages to enjoy himself whilst playing- and why wouldn't you? The crowd (large for Novocastrian measures) is thoroughly enjoying the gig. The Salarium's a very unusual kind of stage with couches and cushions littered over the floor, the stage barely elevated above and waxinelights and cheap Christmaslights the sparse illumination...it's wonderfully intimate, yet Telek manages to rock them out. With crowd support fully behind them and the inclusion of great songs like Melbourne City and Boystown in the setlist, it is obvious that we have a special night here...the banana pluckers chant's being sung with full gusto, the band's trading smiles throughout the gig and the chemistry's fully there. All expertly announced by Bennie who displays a wonderful comique sense of presentation next to expert musicianship.
The set closes off with the band joining the people on the floor for a stringband-encore, highlighting how close the band is with the audience...a brilliant and uplifiting finale.
A special mention must go to the wonderful Tim Cole who has been like the Energizer Bunny throughout this tour, setting up, breaking off and glueing together the many brilliant pieces of film and video-footage!
George Telek/David Bridie
* The Vanguard, Sydney, December 10, 2004
* The Salarium Couch Bar, Newcastle, Australia, December 11, 2004
Having never had the opportunity to see George Telek live (he was scheduled to appear on the Morning Star concert, but sadly wasn't there) I was more than happy to grab the opportunity and see the great man live. The Telek and Serious Tam-records have been regular stalwarts in my player over the year as I truly love the marriage of the Not Drowning Waving (Bridie's former band- mvv)-like electronic-ambient atmospherics, the crystal clear acoustic stringband-strumming of the guitars and, on top, the flexible tenor of Telek, like a slightly hoarse Youssou N'Dour without the vocal histrionics...great albums that deserve a place in any home, even if you don't care for world music.
With David Bridie in the support-act slot it couldn't go wrong...the second night of the three-part NSW-visit happened on the 10th of December at the Vanguard, a restaurant/music club where the patrons can nosh up their expensive fish and watch good acts from the blues/folk/pop/classical scene. Call me oldfashioned but I find this type of arrangement a bit insulting for the musician as he is being made subservient to the food, like a pianist playing jazz standards in a fancy restaurant. That the patrons were fans made it at least bearable.
David Bridie looked very tired when he strolled onstage and got the gig underway with a beautiful solo-version of Blue Black Sky...just him and the electric piano and you don't miss the strings at all. Joined by the indomitable Phil Wales on Atari, melodica and guitar, Amanda Brown on vocals and violin and Greg Patten on skins he set out on a list of fan favourites with the inclusion of Not Drowning Waving-track Blackwater and the playing of clips on a white sheet behind the band- sadly the stage was the size of a stamp so not everything was visible. The good 100+ crowd was entertained though and this particular evening I was more than happy to see the closer being Walk Me Home, a NDW-classic that has been one of my all time favourite songs of the band. Highlights include the stripped-down version of The Tender Trap, On A Day Like This and Canopy which included the added percussion of Telek-bandmember Benny Hakalitz. There's always something special about a DB-gig, even if the man himself isn't 100%- Phil's entertainment in itself and the beautiful 'Helen Mountfordian'-vocals of Amanda Brown are always a welcome addition. Not his best gig but certainly very enjoyable.
Telek's gig followed after a short break and the first a-cappellatrack titled Tolili had the whole crowd immediately silent. Telek's eyes intently went through the room, his forehead blocked with a cap on which several long feathers stuck. For the remainder of the gig George was joined by David, Phil and Greg and Benny Hakalitz on guitar and percussion and bass player Glen Low, all dressed in colourful Papuan-design shirts.
The appeal of Telek's music is clear- with the obvious joyous vocals on top of a musical backing that has many references to the Tabaran-album, it has appeal to a large audience. A song like To Pol with it's stringbandroots firmly in Rabaul could easily have been the missing link in the world music patchwork of Paul Simon's Graceland. Bridie's keyboard-arrangements bring out the most hypnotic elements out of the songs with Telek's masterful voice the ace in the hole. It really is a wonderful romp, from the NDW-pop of Go Ralom or Midal (which sees Phil Wales exorcise his guitardemons and rock out!) or the Toure/Cooder-bluesylike Amette, traditional stringbandmusic in Abebe (where several acoustic guitars shiny jangle their upbeat themes together) or the banana-pluckers chant Waitpela Gras with a wealth of percussion and audience participation. The tribute to West Papua in its namesake song raises the roof. It is a pity that the set has to be broken off earlier as planned because of time restrictions so there's no time to work to a highlight...a real shame.
Fortunately all works well on the final gig of the tour which is the following night in Newcastle. The only bad part is that David's really crook (stomach bug), still he manages to complete his set, closing off with The Last Great Magician. Tough to see the tour end for him like this- hope he now can enjoy a well deserved break.
It's a tribute to the guy that he comes onstage with Telek's band and manages to enjoy himself whilst playing- and why wouldn't you? The crowd (large for Novocastrian measures) is thoroughly enjoying the gig. The Salarium's a very unusual kind of stage with couches and cushions littered over the floor, the stage barely elevated above and waxinelights and cheap Christmaslights the sparse illumination...it's wonderfully intimate, yet Telek manages to rock them out. With crowd support fully behind them and the inclusion of great songs like Melbourne City and Boystown in the setlist, it is obvious that we have a special night here...the banana pluckers chant's being sung with full gusto, the band's trading smiles throughout the gig and the chemistry's fully there. All expertly announced by Bennie who displays a wonderful comique sense of presentation next to expert musicianship.
The set closes off with the band joining the people on the floor for a stringband-encore, highlighting how close the band is with the audience...a brilliant and uplifiting finale.
A special mention must go to the wonderful Tim Cole who has been like the Energizer Bunny throughout this tour, setting up, breaking off and glueing together the many brilliant pieces of film and video-footage!